Online/Archive (2009). Toward a Better Existence. (July 2009) (2007).
Andrea Kirsh’s Philadelphia Introduction  (October 2007) (2007).
Live / Work: Performance into Drawing. (October, 2007) (2004).
Edwin Tofslie’s, The Organicgrid. (January 27, 2004) (2003).
Living Inside the Grid. (February 2003)

Selected Readings

Adams, Carol J. (1993). Ecofeminism and the Sacred. New York: Continuum Publishing Company.

Bell, Clive. (1949).
Art. London: Chatto and Windus.

Berger, Maurice. (1989).
Labyrinths, RobertMorris, Minimalism, and the 1960’s. New York: Harper and Row Publishers.

Bernstein, David W. and Hatch, Christopher (Ed.). (2001).
Writings through John Cage’s Music,Poetry, and Art. Chicago and London: The University of
Chicago Press.

Burgin, Victor. (1987).
The End of Art Theory, Criticism and Postmodernity. New Jersey: Humanities Press International, Inc.

Danto, Arthur C. (1997).
After the End of Art, Contemporary Art and the Pale of History. Princeton, New Jersey Princeton University Press.

Diamond, Irene and Orenstein, Gloria Feman. (1990).
Reweaving the World: The Emergence of Ecofeminism. San Francisco: Sierra Club Books.

Diehl, Carol. (1999).
Robert Irwin’s Doors of Perception. Art in America, December 1999, 76 - 83

Art as Experience. New York: The Berkley Publishing Group.

Duncan, Michael. (1998).
Art in America, Bill Viola: Altered Perceptions. Art in America, March 1999, 62-69.

Ferguson, Russell (Ed.). (1993).
Robert Irwin. New York: Rizzoli International Publications.

Frick, Thomas (Ed.). (1998).
Love Forever: Yayoi Kusama, 1958-1968. Los Angeles: The Los Angeles County Museum of Art.

Capra, Fritjof. (1983).
The Tao of Physics. New York: Bantam Books.

Capra, Fritjof. (1996).
The Web of Life. New York: Anchor Books Doubleday.

Capra, Fritjof. (1982).
The Turning Point; Science, Society, and the Rising Culture. New York: Bantam Books.

Gablik, Suzi. (1995).
Conversations Before the End of Time. New York: Thames and Hudson, Inc.

Gablik, Suzi. (1991).
The Reenchantment of Art. New York: Thames and Hudson.

Gablik, Suzi. (1991).
Toward an ecological self: Shifting the Modernist paradigm into a new gear. New Art Examiner, 18 (5), 26-30

Gora, Tom and Cage, John (Ed.). (1981).
For the Birds, John Cage. Boston: Marion Boyars Publishers.

Hardwick, Elizabeth (Ed.). (1982).
A Susan Sontag Reader. New York: Farrar/Straus/ Giroux.

Halley, Peter. (1988).
Peter Halley, Collected Essays, 1981-87. Venice, California: Lapis Press.

hooks, bell. (1984).
Feminist Theory, From Margin to Center. Boston, Massachusetts: South End Press.

hooks, bell. (1995).
Art on My Mind, Visual Politics. New York: The New York Press.

Joselit, David.(1998).
Infinite Regress, Marcel Duchamp 1910-1941. Cambridge, Massachusetts: The MIT Press.

Kaak, Joachim and Thierolf, Corinna. (2000).
Hanne Darboven / John Cage, A Dialogue of Artworks. Pinakothek der Moderne, Munich: Hatje Cantz

Kraynak,Janet (Ed.). (2003).
Please Pay Attention Please: Bruce Nauman’s Words, Writings and Interviews. Cambridge, Massachusetts: The MIT Press.

Kostelanetz, Richard. (1987).
Conversing with John Cage. New York: Limelight Editions.

Kostelanetz, Richard (Ed.). (1993).
John Cage Writer: Selected Texts. New York: Cooper Square Press.

Kosuth, Joseph. (1991).
Art After Philosophy and After, Collected Writings, 1966 - 1990. Cambridge, Massachusetts, and London, England: The MIT Press.

Lippard, Lucy R. (1976).
From the Center, feminist essays on women‘s art. New York: E.P. Dutton.

Lippard, Lucy R. (1995).
The Pink Glass Swan, Selected Feminist Essays on Art. New York: The New Press.

Low, Alaine and Tremayne, Soraya (Ed.).(2001).
Sacred Custodians of the Earth?  Women, Spirituality and the Environment. New York and Oxford:
Berghahn Books.

Morgan, Robert C. (1998).
The End of the Art World. New York: Allworth Press.

Neruda, Pablo. (1962) English Translation 1967.
Fully Empowered. New York: New Directions Book.

Nitschke, Günter. (1999).
Japanese Gardens: Right Angle and Natural Form.  New York: Taschen.

Newman, Michael and Bird, John (Ed.). (1999).
Rewriting Conceptual Art. London: Reaktion Books.

Orenstein, Gloria Feman. (1990).
The Reflowering of the Goddess. New York: Pergamon Press Inc.

Paz, Octavio. (1993) English Translation 1995.
The Double Flame, Love and Eroticism. New York: Harcourt Brace and Company.

Pelzer, Birgit and Francis, Mark and Colomina, Beatriz. (2001).
Dan Graham. New York: Phaidon Press Limited

Perloff, Marjorie and Junkerman, Charles (Ed). (1994).
John Cage, Composed in America. Chicago and London: The University of Chicago Press.

Phillippe, Sergeant. (1992).
Donald Sultan Appoggiaturas. Cambridge,  Massachusetts: MIT Press/Portmanteau Press.

Retallack, Joan (Ed.). (1996).
Musicage, Cage Muses on Words, Art, Music.  Hanover, New Hampshire: University Press of New England.

Ruledge, Virgina. (1998).
Art at the End of the Optical Age, Art in America. March 1998, 70-77

Smith, F. Joseph. (1979).
The Experiencing of Musical Sound, Prelude to a Phenomenology of Music. New York: Gordon and Breach.

Violette, Robert and Viola, Bill (Eds.). (1995).
Bill Viola, Reasons for Knocking at an Empty House: Writings 1973-1994. Anthony d’Offay Gallery London:
The MIT Press.

Watkins, Jonathon and ‘Tribute’ and Denizot, Rene. (2002).
On Kawara. New York: Phaidon Press Limited  

Wilbur, Ken. (1998).
The Marriage of Sense and Soul, Integrating Science and Religion. New York: Broadway Books.

Zevi, Adachiara (Ed.). (1995).
Sol LeWitt: Critical Texts. Rome: I Libri di AEIUO, Incontri Internazionali D’Arte
Charles Livingston Studio